LvrsMakeLiars
confusedcatsagainstfeminism:

Cat’s REAL agenda.
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Confused Cats Against Feminism is a project of We Hunted the Mammoth:The New Misogyny, tracked and mocked. You should totally go there, like right now.

confusedcatsagainstfeminism:

Cat’s REAL agenda.

Confused Cats Against Feminism is a project of We Hunted the Mammoth:The New Misogyny, tracked and mocked. You should totally go there, like right now.

goldenlady25:

New Blogpost Check it out!

blackfashion:

ZARA
Narid Isaac, 25, Tokyo 
Submitted by: http://fashionschoon.tumblr.com/

blackfashion:

ZARA

Narid Isaac, 25, Tokyo 

Submitted by: http://fashionschoon.tumblr.com/

partytilfajr:

The most powerful oppressor is not the one who can kill, but the one who can convince the world that the oppressed deserves their oppression.

Telling [people of color] they’re obsessed with racism is like telling a drowning person they’re obsessed with swimming.

Hari Kondabolu (via misandry-mermaid)

This is CRITICAL. Remember, the oppressors do NOT want to stop oppressing; they simply want you to endure it but be quiet about it AND not acknowledge how it impacts almost every choice you can make in life and how you navigate life itself. This is the core of bootstrap theory, a facet of the lie of meritocracy, as to why it is a disgusting and flawed concept.

This quote is EVERYTHING.

(via gradientlair)

Exactly.

I’m not obsessed with racism. You’re complacent in white supremacy.

(via sourcedumal)

nubianbrothaz.tumblr.com

hoyaholic-hopanda:

i salute you for all the women out there.

honestly curious, why does it offend you?
Anonymous

perfectlyerik:

i see lucy as a racist film that plays on negative stereotypes while hiding behind the cover of (white) feminism. 

all this film has done is switch out the white man for a white woman. it’s still a film about a white person getting violated by the evil poc, then gaining power and wiping them out. 

here’s 2 of my favourite scenes from the trailer: 

image

from top to left to right:

KEEP CLEAN 保持清潔,APPLE 蘋果,ONION 洋蔥,GRAPE 葡萄,CHAIR 椅子,TOMATO 番茄

traditional chinese is an actual written language used by millions of people, not symbols to be thrown around at the whim of set designers because they look cool and idk, serves to create a menacing asian atmosphere. this is so disrespectful, and made even worse by the fact that this film in set it taipei, taiwan where the official written language is traditional chinese.

it doesn’t matter that this film caters to a primarily “white” audience who won’t be able to read it, the language and culture of taiwan isn’t something for you to twist and use as you deem fit because it’s “exotic.” 

image

lucy shoots a guy for not being able to speak english. 

she l i t e r a l l y shoots this taiwanese taxi driver, in taiwan for not being able to speak english. she’s in taipei and she’s shooting people as they are of no use to her because they don’t speak english. 

just think about the sort of message that’s sending out. she’s not being “bad-ass strong female character who takes no shit,” she’s saying that english is useful and better. this is the type of harmful ideology that stretches all the way back from when western countries were colonising and forcing their language and customs on other countries. 

let me explain with a real life example. i was born in new zealand to two taiwanese parents. i am fluent in english, but mandarin is conversational at best. my friends in taiwan say that i am “so lucky” to speak fluent english, when they are fluent in mandarin and their english level is no worse than my mandarin. they tell me that they want to perfect their english but in the same breath tell me that mandarin isn’t worth perfecting because i have english and that’s “enough”. they also tell me how pretty my white friends are when they see pictures.

this is the type of neo imperialism ideology that they’ve grown up buying into. it honestly hurts and frustrates me that they belittle their own culture like this, honestly believing that the western world is superior. this is the type of neo imperialism ideology that this film (hopefully unintentionally) promotes: white people are better and will save the day. 

if they wanted to film a movie about a white women getting back at those who had violated her, why not film it in a western country? if they wanted to film it in taiwan, why not find an asian lead actress?

i do agree that we need more women protagonists in action/superhero movies, but not like this. its not okay that the female lead needs to be kidnapped and have her body cut open without her consent in order to gain her powers, and those said those powers do not make any of this racist bullshit okay. 

i am just so tired and angry of poc always being brushed off to the side as either props or villains in mainstream media. 

as a poc, it’s so frustrating to see that the of the standard of beauty still white women when we live in multi-cultural societies and a diverse world. 

feminism is about equality. a film in which poc are presented as evil and inferior before being killed off by a superior white woman does not promote equality. 

Has it ever occurred to you that maybe Lafayette, the Queen that make all you white heterosexuals laugh and feel good about yourselves, has it fucking ever occurred to you that maybe I want a piece of happiness too?!
Lafayette Reynolds (via eshusplayground)
theblueye:


I need to add this to my prayers

theblueye:

I need to add this to my prayers

dynamicafrica:

Test Shots by Rog Walker.

Test Shots is an ongoing series of portraits taken in the studio with photography couple Rog and Bee Walker. Each photograph, taken mostly of their close friends and fellow creatives, is as striking as it is simple.

Opting for a sombre and dark background, coupled with poised and pensive subjects, Walker’s shots manage to maximize on the simplicity of the traditional portrait style by making use of a medium format camera that provides an image quality which, despite the powerful stillness of each individual, vividly brings the details of each photograph to life. This brings out both a sense of strength and vulnerability in each picture, alluding to the intimate two-way dialog between subject and photographer.

"This is the most organic method of communication I have. Photography is the way I speak…It doesn’t get more personal than another human, and that’s what I’m looking to capture, that connection between humanity." - Rog Walker

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phresh-fashion:

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